This Wednesday 21st of November my stereoscopic film ‘Trapped Between Frames’ is screened in Brighton Cinecity at Fabrica Gallery , 9pm, the two programs have been curated by Matthew Noel-Tod as part of 10 anniversary of Moving Image University of Brighton and starts at 19h. I wish I could be present for such a special event. Limited seating available on door. More info: https://www.facebook.com/events/322643991853048/
As part of the programming team of Alchemy Film 2018 I’ll be moderating and having a discussion with artist Katharine Fry, Giuseppe Boccassini, Louise Milne, Rhona Mühlebach, and Ben Pointeker. Films are part of the Programme ‘Other Voices ‘
Screenhot. Derbis by Giuseppe Boccassini
FRIDAY 4 MAY
11:50am – 1:30pm
MAIN AUDITORIUM – HEART OF HAWICK
Spoken word and image collide through a typewriter, film consciousness, and a story of failed execution in Olly Olly Oxen Free. In Creepers, a headless body inhales and exhales the language of animals, as if possessed by animism. Debris presents us with a fever dream of energised fragmentary film, a travelogue of a shipwreck. In Eidolon, the dream deepens into three overlapping magical nightmares, apparitions and ghosts. Linguistic divisions evaporate as a conversation with a drug-taking crow ensures in To get in touch with crows. In Onward Lossless Follows, the stars won’t help you but a horse with no name might, permeated with stranger-danger. Words, memory and meaning dissolve entirely in playful defiance of language itself within Dit Learn. A quiet and dreamlike harmony is restored through a visual poetry of being and shadows in Impassenger.
* Katharine Fry, Giuseppe Boccassini, Louise Milne, Rhona Mühlebach, and Ben Pointeker will be present for a Q&A.
OMEN toguetherÂ with Hypnagogic by Pierre-Luc Vaillancourt will be screened tomorrow 22 of DecemberÂ at 20hÂ as part of XIIÂ festival ternativn og film a videa â€“ AVIFestÂ in Podgorica, Montenegro .Â Spellbinding !
Program 12. Smotre kratke video forme â€“ festivalternativnogfilmavidea â€“ AVIFestÂ ,Â 2017,Â Â KIC Podgorica
- Petak, 22. decembar
â€“ 18: 00 h â€“ multimedijalna sala â€“ Regionalni program: â€œJugoslovenska Video Avijacijaâ€:
- Borba za smrt (14:46) â€“ Eleonora Veninova â€“ Makedonija
- As Trains Go By (5:30) â€“ Aleksandar VujoviÄ‡ â€“ Crna Gora
- Grad duhova (12:11) â€“ Marko ÄeÅ¡ka â€“ Hrvatska
- Grad Slonova (29:00) â€“ Marko MijatoviÄ‡ â€“ Bosna i Hercegovina
- Å½murke (14:00) â€“ Ognjen PetkoviÄ‡ â€“ Srbija
- Slovo (5:51) â€“ Leon Vidmar â€“ Slovenija
- NoÄ‡na ptica (8:50) â€“ Å pela ÄŒadeÅ¾ â€“ Slovenija
â€“ 20:00 h â€“ multimedijalna sala â€“ Internacionalni program: Selekcija inostranih kratkih, alternativnih filmova:
- Denomination â€“ Emil Zenko / Belarus / 2016 / 2 min
- Chili â€“ Martina Mikusova/ Slovakia / 2016 / 8 min
- Bailar â€“ Dedo Ciego & JMII/ Spain / 2016 / 3 min
- The One â€“ Valery Novichkov/ Belarus / 2016 / 8 min
- Catherine â€“ Britt Raes / Belgium / 2016 / 11 min
- Movements Arising from Different Relationships â€“ Masahiro Tsutani/ Japan / 2015 / 13 min
- Singing frogs â€“ Violaine Pasquet / France / 2016 / 10 min
- Omen â€“ Nazare Soares / Norway / 2016 / 12 min
- Hypnagogia â€“ Pierre-Luc Vaillancourt / Canada / 2017 / 5 min
- Subota, 23. decembar
-18:00 h â€“ multimedijalna sala â€“ ZvaniÄna selekcija XII Smotre kratke video forme â€“ AVIFest, 2017, filmovi domaÄ‡ih autora:
- Kad ja podjoh (6:09) â€“ Sara StijoviÄ‡
- Close Your Eyes (5:18) â€“ Damir MurseljeviÄ‡ & ELOHIM
- Slovoljupci (13:00) â€“ Mladen IvanoviÄ‡
- Pogibe Jonh Kennedy, sjeÄ‡am seâ€¦ (2:30) â€“ Gordana NikaÄ
- Tuneli (8:00) â€“ Katarina Å vabiÄ‡
- Titoâ€™s speech (2:49) â€“ SrÄ‘an SiÄ‡ko MiliÄ‡
- Breath of Violence (3:12) â€“ Edo Å½uÄ‘eloviÄ‡
- Pecki novogodiÅ¡nji (8:57) â€“ Paris & Pipa
- Koliko ljudi treba jos da umre (4:41) â€“ Autogeni trening
- Izbliza (4:17) â€“ Katarina ÄeloviÄ‡
- ParkinÅ¡ke Destinacije (3:30) â€“ SaÅ¡a RadoviÄ‡
- Oda nedostiÅ¾nom (6:35) â€“ Jelena Å½ivkoviÄ‡
- Gaia (7:00) â€“ Darko VuÄkoviÄ‡
- Svjetla grada (5:14) â€“ Marko GoÅ¡oviÄ‡
â€“ 20:00 h â€“ multimedijalna sala â€“ nijemi film/romantÄna drama Â»Vesela udovicaÂ« (1925)
Uloge: Mae Murray, John Gilbert. ReÅ¾ija: Erih fon Å trohajm
Zgodna, mlada glumica Sali Oâ€™Hara dolazi sa svojom amaterskom trupom u Monteblanski pandan crnogorskog Cetinja â€“ Kastelano. Tu zapada za oko obojici prijestonaslednika, Danilu i Mirku.
Ljubavne spletke vladajuÄ‡e elite i prateÄ‡e intrige navodno je trebalo da iskarikiraju Crnogorce.Â Potomci knjaÅ¾evske loze iz Crne Gore, pobunili su se i 1930. god. dobili sudsko poravnanje od 4000 dolara i garanciju da se Danilova postojbina neÄ‡e zvati Monte Blanko veÄ‡ MarÅ¡ovija. Nominalno u filmu se nigde ne pominje â€žMontenegroâ€ veÄ‡ imaginarni â€žMonte Blancoâ€ ali su i pored ove provizorne permutacije imena izdanaka kraljevske loze: Milena, Mirko, Nikola, Danilo, noÅ¡nje i opÅ¡ti kontekst viÅ¡e nego indikativni. Tako ovaj film, koji je privukao ogroman broj gledalaca i imao znaÄajan prihod, nisu imali priliku da vide gledaoci u naÅ¡im krajevima.
U ovom raskoÅ¡no produciranom filmu (setove radio reÅ¾iser najboljeg Tarzana sa Vajsmilerom â€“ Sedrik Gibons) meÄ‘u statistima se pojavljuje i buduÄ‡i superstar Klark Gejbl.
Film se zasniva na istoimenoj opereti Franza Lehara i ovo je njena druga filmska adaptacija.Â
Ulaz za sve projekcije je slobodanÂ
Festival su podrÅ¾ali: Ministarstvo kulture Crne Gore i Sekretarijat za kulturu i sport Â Glavnog grada
I am happy to announce the premiere of my recent film installation OMEN will be hosted by Alchemy Film & Moving Image Festival in Hawick, Scotland. The event will take place from 2nd till 6th of March 2017. Full Programme here:
Over 60 filmmakers and artists from around the world will be landing in Hawick on March 2nd for the seventh edition of Alchemy Film and Moving Image Festival. Screening over 120 films at Hawickâ€™s Tower Mill, with 23 world premieres, 12 moving image installations around the town, expanded cinema performances and a filmmaker symposium, Alchemy promises to transform Hawick into a melting pot of creativity for some of the worldâ€™s most imaginative moving image artists.
Highlights include the Scottish premiere of Rachel Macleanâ€™s It’s What’s Inside That Counts. Maclean has been chosen to represent Scotland at the Venice Biennale in …2017, in a major new exhibition curated by Alchemy Film & Arts. Her work powerfully satirises the fears and desires of our contemporary zeitgeist, cloaked in a super-saturated aesthetic of fairy-tale consumer culture. Maclean will be present for a Q&A, discussing the evolution of her work and the themes of her new Venice commission.
Another sprinkling of Venetian magic comes from Alchemyâ€™s tribute to the late John Berger, the Booker-prize-winning author of Ways of Seeing. In a special screening of his 1989 film Play Me Something, also featuring Tilda Swinton and Margaret Bennett, Berger narrates a politicised Venetian romance between a farm worker and a young bohemian woman, to a bemused waiting room of misfits in a desolate aiport lounge on the Scottish island of Barra. Directed by Tim Neat, present for a Q&A.
In perhaps the Worldâ€™s first ever surrealist experimental opera-musical, the UK premiere of Warsaw-based Karolina Bregula’s The Tower, follows the fate of a group of well-meaning community activists who decide that the solution to their social problems lies in building an enormous tower of sugar. With music by Glasgow based Ela Orleans, their utopian dreams inevitably lead toward more dystopian realities.
Expanding the festivalâ€™s ethos of conversational encounter into a fifth day, British artist Andrew KÃ¶tting will lead a raggle-taggle eight mile procession of artists and miscreants towards the Hermitage Castle and the spectral vision that is Mary Queen of Scots. Reuniting the ghosts of King Harold and his hand fast wife Edith Swan Neck, KÃ¶ttingâ€™s film-walk culminates in a screening of Edith Walks at Hermitage Hall.
For the closing film, Alchemy hosts the European premiere of Incident Reports by Canadian auteur Mike Hoolboom. An episodic love letter to an unseen therapist, Hoolboomâ€™s film is a luminous celebration of humanity, traversing memory, forgetting, image making and gender identity, while touching the heart of what it is to be in the world. It is an essay film that leads us joyfully to an ultimately life affirming conclusion: â€œLoving would be easy if your colours were like my dreams: Red, gold, and green.â€
Last night, Other Cinema hosted a gathering of witches, both embodied and bound in celluloid. The night began with a brewing of cups by the Church of Color and Light, a local ritualistic performance collective that uses overhead projection, dance movement, and incantation for audience involvement and transformation. One slithering spirit even abandoned a rubber snake in my lap. Soundtracked by the buzzing of flies, their cultus ceremony set tone for a spooky evening with intermittent camera flashes punctuating the dark.
Cohesively curated experimental film and video from past iterations of the Häxän Festival filled the remainder of the evening’s program. Häxän celebrates witchcraft and the personal occult from a feminine perspective, with all works curated and made by women. The program was strong yet scrappy, with a generous dose of silence and nudity. A couple of pieces veered too close to the works of experimental film great Maya Deren (unsurprisingly) and animator Lewis Klahr, to be truly original. But the lovely, ghostly Trapped Between Frames by Nazare Soares seemed outright possessed with its multi-exposed film frames trembling and twitching
My stereoscopic film Trapped Between Frames will be shown on the 29th of October at Artist Television Access in San Francisco as part of HÄXÄN project:
After 2 epic Autumns in the East Bay, the Haxan Project now sets up stakes in the Mission, to initiate a Big-City audience into its irresistible cycle of wicca-ed cinema, with a tent-full of works—all women-made—capped by a provocative live performance! Curators Courtney Fellion, Phaedra Restad, and Hannah Schulman have hand-picked the very best work from their wildly creative coven, including transformative pieces from Gina Basso, Karissa Hahn, Leslie Supnet, Sarah Rooney, Natalie Tsui, Nazar Soares, Laura Conway, Lili White, and Julia Triangular—all to be consummated in the rites of the Church of Color and Light, whose overhead projections and hypnotic incantations promise a path to thee metaphysical via our beloved smoke machine! Free mulled wine.
‘Trapped Between Frames ‘ will be screened in DOBRA Film Festival in Rio de Janeiro on 3rd of September 21 h at Cinemateca MAM/RJ, part of O Oculto Pessoal, a special program curated by HÄXÄN Festival.
My Stereoscopic Film ‘Trapped Between Frames’ will be screened in New Delhi this Saturday 19th of March. Soundtrack by Laila Hansen (Partial facsimile) and Andrew Stuart-Buttle, performance Aya Toraiwa. Thanks so much to curator Poulomi Desai.
Usurp Zone5 at the India Habitat Centre, New Delhi
19 March 2pm – 7pm Experimental Art Gallery, India Habitat Centre, New Delhi. Usurp Art Presents a selection of films from our Zone5 experimental short film festival. Many of the award winning films will be screened for the first time in India.
My stereoscopic film Trapped Between Frames will be screened next in Buenos Aires as part of FIVA Festival Internacional de Videoarte , sound design by Laila Laila ( Partial Facsimile ) and Andrew Stuart-Buttle , performance by Aya Toraiwa.