I am Half Sick of Shadows

Cinematic Ceremony

Film Score / Live Performance /  6o mins

 Interior Cinema :  Film Screening onto Red Velvet  / Surround sound 5+1 live processing /Textile installation

Norway 2018

Flag Seal for Textile work by Maria Eva Ruso. Designed by Lidia de Pedro

“translucent depths of the mysteriously lighted viscera. World of sleep- in which our inner conscious-ness, subordinated to the disturbances of our organs, accelerates the rhythm of the heart or the respiration, because the same dose of terror, sorrow or remorse acts with a strength magnified a hundredfold if thus injected into our veins: as soon as, to traverse the arteries of the subterranean city, we have embarked upon the dark current of our own blood as upon an inward lethe meandering sixfold, tall solemn forms appear to us, approach and glide away, leaving us in tears.”
Marcel Proust

 

‘I am Half Sick of Shadows’ is a dirge for ruined cities in the voice of Earth.

The first event of a larger cartographic project; the mechanics of a music box have inspired towards developing methods for composing, translating and mediating data and traces from the environment into audio visual spatial compositions.Notions of revolution has been approached looking into its etymological origin; the revolving as the origin of a cyclical movement found in celestial bodies: ‘an instance of revolving, to revolve, revolvere ; roll back, unroll, unwind; happen again, return; go over, repeat, “back, again” “to turn over (in the mind or heart), meditate.”

What does ‘Revolution’ mean in times of Anthropocene and darkness?
A revolution is what we feel inside our guts,
the other latent in matter carries our destruction.
The revolution; in alliance with this word we sink.
What does ‘Revolution’ mean in times of horror and obscurity?
It carries an action that originates in a past,
in the present time this is taken towards a future,
a future change of paradigm.
It bears a transformation, but towards where? towards what?
The Revolution; is then when is possible the impossible.
As a revolution happens when a snake sheds its skin.

Nazare Soares

The poetic gesture fine-tunes perceptions of Earth and humankind’s disjointed and entangled processes. An audio-visual composition is made by creating translations of marks found on used shooting targets. Traces of bullet impacts have been interpreted as pitch, timing, surround placement, sound qualities and gestures. This data has then been used to create the film scores using different composition techniques and so to mark editing rhythms within the film. The vibrations from a tuning fork in the performance is mirroring the bullet impacts onto a body, as musical tones and sound frequencies are related to the seven tantric chakras.  The cinematic event is composed in four acts based on Edgar Allan Poe’s poem The Bells. The metal sound of the bells are used to evoke the different phases of a vital cycle; Silver, Gold, Bronze and Iron.

Interior Cinema: The cinematic space designed as a type of shelter; a speculative device, a womb-like cave machine from where one goes back to the feminine energy of origins. Interior Cinema is an immersion of body and senses through cinematic processes of integration and navigation.

The event, curated by Svein Inge Saether and Nazare Soares, took place at Cinemateket in Trondheim in the context of Trondheim Open Biennial the 29th of October 2018.

I am Half Sick of Shadows. Booklet Preview

Screenshots
CREDITS
Title I am Half Sick of Shadows
Subtitle Cinematic Ceremony
Concept Nazaré Soares
Curation Svein Inge Sæther in collaboration with Nazaré Soares
Venue Cinemateket Trondheim
Filmmaker Nazaré Soares
Sound Designer / Live processing Ada Hoel
Composers Ada Hoel and Andreas Elvenes
Performers / musicians Michael Francis Duch, Andreas Elvenes, Ada Hoel, Linnea Jansson and Nazaré Soares
Scenography Maria Eva Russo and Nazaré Soares
Flag + Seal Design Maria Eva Russo , Lidia de Pedro , Amelia Arranz
Field Sound Recording Bell toll for attack warning recorded by Daan Hendriks at Basilica de St Maria de Pi on 11 of September 2011 at Santa Maria del Pi, Barcelona.
Booklet design HUGMUN.STUDIO
Production Cinemateket Trondheim
Support Trondheim Open, Olavshallen, Kunsthall Trondheim, NTNU Institutt for musikk
Special Thanks Amelia Arranz,  Surnadal Billag,Amalia Fonfara, Sergei Ivanov, Berthold Hinrichs, Magdaléna Manderlová, Rocio Mata , Ismael Palacio,  Jordi Sacasas Segura, Pierre-Luc Vaillancourt, Jeremy Wells, Sasa Yague.